Kawai Kanjiro : Tea bowl

[ Description of the Work ]

Kanjirō Kawai was an active founding member of the “Mingei” art movement in the early Shōwa period. After the war, he pursued his own unique creative path, leaving behind many distinctive works.
This piece is a flat-sided jar from the [Three Colors] series, known as one of his representative works created during his final years.
Kawai favored this shape—a flat-sided jar composed of flat surfaces—because its large flat surfaces on the front and back provided a canvas for decoration and patterns, and he created numerous works in this style.

While Kawai typically used high-quality Shigaraki clay for his pottery, for this type of “Three Colors” series, he experimented by mixing in coarse clay excavated from within Kyoto City. This resulted in a grainy texture across the entire surface of the vessel, successfully emphasizing the three-color palette even further. The design, featuring red, green, and black glazes boldly applied with a ladle, draws inspiration from Action Painting, which was just beginning to gain popularity in the United States at the time.

Due to the nature of the Mingei movement, multiple copies of the same piece are produced; however, because they are fired in a climbing kiln, each piece exhibits unique variations.
This piece features perfect color saturation in all three hues, and the firing marks and charred tones have been achieved with ideal balance.

 


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GINZA KURODA TOUEN
5F 7-8-17 Ginza, Chuo, Tokyo JAPAN.
TORAYA Ginza Building  5th Floor
11:00-18:30
closed every Monday
Tel: +81-3-3571-3223

Miwa Kyuwa (kyusetsu 10th) : Sculpture

[ Description of the Work ]

Mr. Miwa Kyuwa, the 10th-generation head of the Miwa family—one of the most prestigious Hagi-yaki potteries dating back to the early Edo period—began to establish his own unique style after studying under Kawakita Handeishi. He also perfected a white Hagi glaze known as “Yukijiro” and went on to create Hagi-yaki pieces unlike any seen before.

This piece dates from the period when he went by the name Kyūsetsu the 10th. It depicts a majestic lion, with the white Hagi glaze applied in select areas.
It is a piece that conveys a sense of dynamic power, as if the lion is about to pounce, and showcases his exceptional sculptural skill.
The inside of the piece bears the 10th Kyūsetsu’s nail-carved signature. The inscription on the box was written by his younger brother, the 11th Kyūsetsu.


 | google map


GINZA KURODA TOUEN
5F 7-8-17 Ginza, Chuo, Tokyo JAPAN.
TORAYA Ginza Building  5th Floor
11:00-18:30
closed every Monday
Tel: +81-3-3571-3223